“I think of the postmodern attitude as that of a man who loves a very cultivated woman and knows that he cannot say to her “I love you madly”, because he knows that she knows (and that she knows he knows) that these words have already been written by Barbara Cartland. Still there is a solution. He can say “As Barbara Cartland would put it, I love you madly”. At this point, having avoided false innocence, having said clearly it is no longer possible to talk innocently, he will nevertheless say what he wanted to say to the woman: that he loves her in an age of lost innocence.”
― Umberto Eco

Throughout this series of AtoZChallenge posts, I have chosen authors who are not just favourites but also those whose complete oeuvre I have read through, as far as possible. Eco is an exception. Of his work I have read only two novels, a few essays, and the celebrated How to write a thesis. Yet he is more of an inspiration than many others, being one of the quintessential writers of pure metafiction, a writer who celebrated the written word throughout his work, a writer for writers.

“We live for books. A sweet mission in this world dominated by disorder and decay.”
― Umberto Eco, The Name of the Rose

name-of-the-rose

I was instantly hooked by The Name of the Rose when I read it a few years ago. It was unlike anything I had ever read before – a murder mystery set in the library of a monastery with layers of philosophy, discussions on theology, celebration of books and libraries, historical descriptions, and above all, the constant allusion that “books always speak of other books, and every story tells a story that has already been told“. It was one of my first conscious introductions to metafiction and turning the pages, I was spellbound. It is a book that I look forward to re-read someday.

“Until then I had thought each book spoke of the things, human or divine, that lie outside books. Now I realized that not infrequently books speak of books: it is as if they spoke among themselves. In the light of this reflection, the library … was then the place of a long, centuries-old murmuring, an imperceptible dialogue between one parchment and another, a living thing, a receptacle of powers not to be ruled by a human mind, a treasure of secrets emanated by many minds”
Umberto Eco, The Name of The Rose

“…a book is a fragile creature…the librarian protects them not only against mankind but also against nature, and devotes his life to this war with the forces of oblivion, the enemy of truth.”
― Umberto Eco, The Name of the Rose

The Mysterious Flame of Queen Loana, the story of antiquarian book dealer Yambo who suffers amnesia after a stroke and tries to reconstruct his memory sentence by sentence, page by page, from the books, newspapers, and magazines of his childhood is a bibliophile’s delight. The illustrations of these books in miniature within the pages make it an exceptionally beautiful book, literally and otherwise.

“But the purpose of a story is to teach and to please at once, and what it teaches is how to recognize the snares of the world.”
Umberto Eco

Reading Eco’s novels is hard work, which nevertheless yields great rewards in terms of comprehending complicated plots, interpreting allusions and the joy of figuring out the many strands of meaning within the narrative. I have all his books on my TBR list, to be picked up at some time in the future when I can spend hours and days focusing on each book, reading for the pure delight of reveling in erudite essays and metafiction.

In contrast to Eco’s novels, How to write a thesis is a solid, lucid, if slightly dated textbook on the purpose and process of choosing a subject, setting the boundaries of research, conducting research, taking notes and presenting the thesis with proper references and bibliography. The narrative of the text with its examples rooted in Italian academia and the occasional dashes of humour transports the reader to Eco’s classroom.

As he was an honorary fellow of my college, I had very much hoped to attend Professor Eco’s actual lecture someday. and was saddened to hear about his passing in Feb 2016. Now I look forward to reading and learning from the rest of his acclaimed body of work.

If you like metafiction, you will love The Reengineers:
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